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Tuesday, January 14, 2014

Why did you learn Bengali?

I saw this question float through my Facebook timeline today. And was surprised to see so many responders who had learned Bengali or Hindi! Most for religious reasons. Some lived in India and picked it up that way. I didn't really respond except to post links to Let's Learn Bengali, the Facebook group I admin. But that is my way, isn't it? When confronted with a question, I take the intellectual route. If I can examine something, analyze it, then I don't have to provide a narrative. I can easily tell what I know, give you the right answer, get an A+, but I don't give away my stories, my motivations so easily.

So to correct that lapse, I shall answer that question here.

I have always loved languages. I started learning Spanish and French from childhood, majored in French in college, started learning Hindi while finishing my French degree, and had a brief foray into Norwegian before I realized I had no one to speak it with. I have been told I have a natural talent for language, and found that the one thing that my extremely right-brained orientation was good at was translation. My only real problem was that I was casting my net too wide, trying to learn too many languages, when it makes more sense to dive deep into one. If I had known then what I knew now, I would have chosen Bengali from the start. Its rich literary and film traditions would have been enough. But they do not teach Bengali in school, and so I went with French instead. Je ne regrette rien, but it would have been nice not to have to wait so long.

I suppose if I had paid better attention, I would have started learning years before I actually did. Here are some snippets of conversations I had throughout the years:

2004:
A: You should learn Bengali.
Me: LOL, no, Hindi's hard enough.

2005:
P: You should learn Bengali.
Me: What for?

2006:
F: You should learn Bengali.
Me: Maybe later. Let's practice singing.

2007:
S: You should learn Bengali
Me: I don't understand why people keep telling me this.

Or maybe I could have started learning in 2006, when I went to Mumbai amidst the glowing reviews of all of my closest friends and found it left me cold. In the airport, I began reading a book about Kolkata and said, "Well, if I ever come back to India, maybe I'll like that place." I could have prepared myself, but I didn't.

Or I could have started learning once Hindi started making more sense, and I began listening (on 2006's recommendation) to Bangladeshi rock music, just to listen to music whose lyrics I didn't understand once more. But that would have defeated the purpose.

But I did go back to India, and upon invitation from a friend, I did go to Kolkata, in a rare monsoon weekend where the clouds gathered angrily, then dispersed to reveal the most brilliant blue sky without a drop of rain falling. At the risk of sounding like a second-rate travel novel, everything seemed to fall into place. Yes, the roads were full of people, full of monsoon mud, animals roaming the roads - everything you would expect from having read all those other India travel novels. But there is a palpable difference between Kolkata and Mumbai, Kolkata and Delhi. Those two metros, they move quickly. Business gets done. The trees do not have time to really be green.

Kolkata was different. It was slower; it seemed more concerned with the things that matter to me. It revels in nostalgia. Art and music were important, not just resume-fillers and networking opportunities. As in other cities in India, I did attract attention as a foreigner and people approached me, but simply for a minute's chat at a store counter or crossing a street, then they said goodbye and we went on our separate ways. I felt safe there; I felt home. Of course I wasn't; it was my first time in a city I have, as of today, spent less than a total of thirty days in. But it felt the same way it did the first time I went to Dallas as a child, enthralled by the streetlights; my heart settled there and the Life I Had Always Wanted found an ideal setting.

In some ways, I suppose you could say I fell in love. With the humidity, the tree in my courtyard, the house behind mine. With turning the pages of Tagore and reading the words of Gitanjali for the first time. With Music World, where I deciphered characters round, angular, and elegant and vowed to learn this alphabet. And so I bought a book.

But love did come later, and with it even more reasons. In-laws, naturally, but there is also another reason. We communicate in my native language. English has so many twists and turns of phrase, hundreds of synonyms, dozens of ways to say the same thing, each variation carrying its own shade of meaning. I speak various dialects, including Texan and LOLcat, switching effortlessly between them. I write songs and poems, drawing upon the richness of the language. But Bengali is just as rich, with words carrying so much meaning, connotation, and power in a way that is not like English at all. Learning Bengali teaches me another way of thinking, and that way conveniently happens to be my husband's native way of thinking. How can I know the context that shapes him, how can I comprehend his hopes, dreams, and fears without knowing his language? Even if we don't speak it together, I find that the more I learn of it, the more I understand of him.

The more Bengali I learn, the less I know. I realize with every new thing that there are a thousand more things I wasn't even aware of, and it is quite unlikely that I will ever speak like a native or near-native. But I really don't care too much about that; as long as I keep learning, I'll know more than I did the day before, and those small moments of learning, those light bulbs of comprehension, the songs you listen to and feel without the need to translate, the times when you realize that you've just had an hourlong conversation in your fifth language and people understood you and you understood them, those moments are why I learn.

Thursday, December 19, 2013

Translation: Hawa from the film Damadol

Every December, or perhaps October, a song comes along that just captivates me. This year I was lucky to have encountered such songs in both October and December; this is the December one. (October was St. Lucia's "Elevate" which needs no English translation!)

Any corrections to lyrics or comments on how I can improve the translation would be welcomed. I am really just a beginner at this.

Thanks to Supriyo S. Daisy P. Sangeeta D. Rajlakshmi R. Anabil P., Anirban M., Rakesh S., and all other wonderful people who have given their input and entertained my obsessive discussions :)


হাওয়া - ডামাডোল
Hawa - Damadol
Wind (from the film Damadol - "Chaos")

chup chap kichu kotha
ure beray
emni kichu kotha
ghure beray
silently some thoughts fly away
and like that, other thoughts wander about

bolte gelei bhul ekrash uro chul
pathore photena holud buno phool
misunderstood words fly around 
like your hair in the wind
yellow wildflowers don't bloom on stone

sudhu hawa... eshe songe niye jay
kichu kotha hariye jay
only the wind comes to take them away;
these details get lost

purono chithi, notun ekta kham
paltaina kichui tobu rakhi daknam
an old letter in a new envelope
nothing has changed, but still i give it a new name

thonter kone hashi, bhetore jokhon
aajkal shob kichui khub onnorokom
i'm laughing on the outside,
but inside i feel very different these days

tai hawa... eshe songe niye jay
kichu kotha hariye jay
so the wind comes to take them away,
these details get lost

teen char te mon kharap
ekta bhanga din
baloonwalar beshe dukhi aladin
restless at three or four in the morning; a ruined day
sad Aladin in balloon-seller guise*
*(balloon-seller is someone who gives happiness to others)


bondhur pocket-e ochena ticket
mitthe ashwashe kobita likhi
in my friend's pocket hides an unknown ticket...
but it is in false hope that i write this song

aaj hawa... eshe songe niye jay
kichu kotha hariye jay
today the wind comes to take me away
these details get lost

Thursday, October 24, 2013

Lost in the shadows of the city lights

Portrait of Saurish Lahiri by Anirban Saha

Post originally written in April 2012 as a reaction to the above photo for Anirban Saha's photography project. His fantastic website is http://www.anirbansaha.com

There's a comfort in anonymity; in being one in a million. One in five million, to be more precise.

She lets go of my hand. Even though the night is warm and muggy, the sudden coolness in my palm spreads throughout my body. We step off the train. This is no time or place for sentimentality. We go our separate ways. No one has to know.

My mind remembers; my hand remembers as I make my way home through narrow streets unsuitable for the number of people who travel them daily. I skip over a pothole, dodge a passing car. The driver honks his horn at me. It is the only interaction we will ever have. 

I keep walking. Passers-by complain about the weather. Hot; humid; smog; pollution. But they understand nothing. The fools don't realize that they cannot breathe because the night air is full of urgency. 

Everything is important right now. The weather, the cars, the girl. Especially the girl. Some kid, slouching along in his low-slung jeans and too-tight t-shirt, is playing music out loud on his phone. I've heard two songs now and they were both about her. Every song is about her. DJ, get out of my head.

I catch a whiff of what seems like her perfume; I become hypervigilant, searching for her face in the crowd. But she is not there; perhaps it was someone else, perhaps only an olfactory memory, but it nearly brings me to my knees. I lean against the side of the nearest building and catch my breath. That damned kid is still somewhere around. Maybe I should give him my headphones. But then a familiar guitar intro slams into me, soon to be followed by lyrics that will tear into my soul. A river of red taillights adds to my sensory overload. 

Isn't this what I wanted? This feeling that everything matters? This crowd, the fading summer heat, these taillights, these songs, this perfume? The moment where everything is centered in Her; this feeling of endless possibility that will only last until I dial her number one last time, only to find it disconnected? 

This very moment is the pinnacle of my life, in all of its pain. After this moment, it's all downhill from here.

 I close my eyes. A tear slips through the lashes. 

No one has to know.